一. 开场白(Opening remarks)
见《第二乐章音乐会,之一:钢琴》(See "Second Movement Concert,Part One: Piano")
也有很多音乐作品并不按照 ABA 的三段式写作,最有代表性的就是“变奏曲”。变奏曲一般由第一乐章提出整个作品的主题,以后所有的乐章都围绕这一主题进行各种变化和演绎。巴赫的《哥德堡变奏曲》大概是最著名的变奏曲,在第一乐章主题
的基础上,作者写出了 30 个变奏乐章。柴可夫斯基的大提琴独奏曲《乐可可主题变奏曲》也是变奏曲中的翘楚,其中第三,第六乐章美丽无比,百听不厌,完全具有所提到的 ABA 模式第二乐章的迷人之处,实在不舍得不把它们放在这里。
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There are also many musical works that are not written according to the three-part ABA format. The most representative one is the "Variations". Variations generally present the theme
of the entire work in the first movement, and all subsequent movements carry out various changes and interpretations around this theme. Bach's "Goldberg Variations" is probably the most
famous variation. Based on the theme of the first movement, the author wrote 30 variation movements. Tchaikovsky's cello solo "Variations on a Theme of Le Coco" is also a leader among the
variations. The third and sixth movements are so beautiful that you can never tire of listening to them. They fully possess the charm of the second movement of the ABA model mentioned
above, which I really can’t bear not to put them here.
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二. 第二乐章音乐会大提琴作品(Second Movement Concert Cello Works)
1. 德沃夏克B小调大提琴协奏曲,第2乐章:慢板
Dvořák Cello Concerto in B Minor, Op. 104, B. 191_ II. Adagio ma non troppo
2. 圣桑A小调第1大提琴协奏曲,第2乐章:慢板
Saint-Saens Cello Concerto No.1 In A Minor Op.33 II. Adagio
3. 舒曼A小调大提琴协奏曲,第2乐章:较慢的行板
Schumann Cello Concerto in A Minor, Op. 129 II. Langsam
4. 柴可夫斯基乐可可主题变奏曲,第3乐章:慢板行板
Tchaikovsky Variations on a Rococo Theme, Op. 33, III - Andante sostenuto
5. 柴可夫斯基乐可可主题变奏曲,第6乐章:行板
Tchaikovsky Variations on a Rococo Theme, Op. 33, VI. Andante
6. 海顿C大调第1大提琴协奏曲,第2乐章:慢板
Haydn Cello Concerto No. 1 in C Major, Hob. VIIb 1 II. Adagio
7. 海顿大调第2大提琴协奏曲,第2乐章:慢板
Haydn Cello Concerto No. 2 in D Major, Hob. VIIb 2 II. Adagio
8. 卡巴列夫斯基G小调第1大提琴协奏曲,第2乐章:慢板
Kabalvsky Cello Concerto No. 1 in G minor, Op. 49 II. Adagio
9. 埃尔加E小调大提琴协奏曲,第2乐章:慢板,快板
Elgar Cello Concerto in E Minor, Op. 85 II. Lento - Allegro molto
10. 肖斯塔科维奇E大调第1大提琴协奏曲,第2乐章:中速
Shostakovich Cello Concerto No. 1 in E-Flat Major, Op. 107 II. Moderato
(2024年5月)